Posted on 29 November 2011
Wednesday, November 30th – Tiesto @ Pacha - Advance Tickets
Part 1 of the Pacha NYC 6-Year Anniversary Celebration! Whether it be the 250,000 revelers coming together at Ipanema Beach in Rio De Janeiro, the adoring clubbers who descend upon Privilege in Ibiza on a Monday night every summer, or the 25,000 fans en masse at Victoria Park in London, all are in attendance for the same reason: they have come to see Tiësto, the world’s biggest DJ/Producer! Tiesto is also performing on Thursday, December 1st at Lavo. For more info: click here
Thursday, December 1st – DARKSIDE Debut @ Music Hall of Williamsburg - Advance Tickets
DARKSIDE (Nicolas Jaar + Dave Harrington) began when a converter plug exploded in Nicolas Jaar and Dave Harrington’s Berlin hotel room during their summer tour. When the smoke cleared, they knew their twin, white Genelec speakers were fried. But rather than retire for the night, they both plugged into a computer and merged sounds, forming DARKSIDE. For more info: click here
Thursday, December 1st – BESPOKE + Mano Le Tough @ 4 Vandam St - Free with RSVP
Bespoke launches next Thursday, December 1st at the brand new art gallery, nightclub + lounge located at 34 Vandam St., aka Work in Progress. Admission is free all night, simply RSVP to be placed on the guestlist. Expect exceptional electronic music-an aural and visual feast featuring some of the most forward-thinking DJs/producers at one of the most interesting and exciting new venues to come to New York in years. For more info: click here
Friday, December 2nd – Verboten Presents Rebel Rave @ Good Units - Advance Tickets
Damian Lazarus and the infamous Rebel Rave Tour descend upon New York for one night only, and Verboten’s got em. Join the Crosstown Rebels head and his gang, including Lee Curtiss (Visionquest), Clive Henry (Circoloco, Peace Division), Culprit’s Droog, and the New York debut of Subb-an, for an incredible throw down of epic proportions. For more info: click here
Friday, December 2nd – BLKMARKET with KOZE & Robag Wruhme @ TBA - Advance Tickets
On Friday 2nd December, we celebrate co-founder and resident DJ Fahad Haider’s Birthday Bash! For this night we have invited some close friends of ours to share the decks for the celebration. DJ Koze and Robag Wruhme have both been invited to play extended sets for the party. Also joining the lineup is Shadi Megallaa with residents Taimur & Fahad. If that’s not enough this event is also DJ Koze’s first record label night in the U.S. Ladies and gentlemen lets get ready for the Pampa records showcase! For more info: click here
Friday, December 2nd – Loco Dice @ Pacha - Advance Tickets
Part 2 of the Pacha NYC 6-Year Anniversary Celebration! Loco Dice is someone who can puzzle together intangible moods with a direct approach. Via his DJ sets or his productions on labels like M_nus, Cadenza, Ovum, Four Twenty and Cocoon, he merges perspectives in his delicate sense for sounds and reflective atmospheres, underpinned with solid, physical grooves inspired by the hip hop that was his early sonic stomping ground in the mid- to late ‘90s. There’s something there for the dreamers, as well as for the 9-to-5ers who just want to lose everything in a moment of abandon on the dancefloor. For more info: click here
Friday, Dember 2nd – Digitalism (Live) @ Webster Hall – Advance Tickets 19+
Digitalism have been responsible for some of the most outstanding tracks of the genre. ‘Zdarlight’, ‘Idealistic’, ‘Digitalism In Cairo’ (an amazing Cure remix), ‘Jupiter Room’, ‘Pogo’ among others, helped Digitalism stand out from the crowd. Recent tracks like ‘Circles’ from their new album ‘I Love You Dude’ just press the point further; these guys are awesome. They will be playing for us this Friday at our Girls and Boys party at Webster Hall with Nadastrom and Data Romance. We are looking forward to this one.
Saturday, December 3rd – Jeff Mills @ LPR - Advance Tickets
The Axis visionary and techno icon JEFF MILLS returns to New York for a very special night at (le) Poisson Rouge! Basic NYC is excited and honored to welcome Jeff to LPR for his long-awaited return set, where he’ll be featuring his latest spellbinding music – his new score of the 60′s Sci-Fi film classic “Fantastic Voyage”, his brand-new double album on his own Axis Records label. We’re bringing in extra sound and visuals for this night, which will feature an extended set from the always-amazing Jeff. Don’t miss out on this intimate performance from one of the world’s most important artists. For more info: click here
Saturday, December 3rd – Octave @ National Underground - Advance Tickets
Dasha Rush [ Fullpanda | Sonic Groove | Berlin ] Mike Parker [ Prologue | Mote Evolver | Buffalo ] Jeff Derringer [ Perc Trax | Chicago ] 11 PM – 6 AM, For more info: click here
Sunday, December 4th – Mark Verbos, Jacques Renault, Walker & Royce @ Brooklyn Terrace - Advance Tickets
Nurvous Records and Benny Soto present three of the top dj’s in the evolving nu-disco genre. We are giving away two lists spots to anyone who gives us a shout on our Facebook page.
Posted in Concerts, DJ, Editorial, Events, HiFi Cartel, Live Music, Local Flavor, Music News
Posted on 29 November 2011
Flow Festival will return to Helsinki’s Suvilahti on 8-12 August 2012, spreading over 5 days for the first time. Indie favorite Bon Iver, lead by Justin Vernon, will kick off the festival’s 9th edition at the Opening Concert on Wednesday, August 8th; Icelandic pop princess Björk will make a “Biophilia” tour appearance to close the festival on Sunday. Tickets will go on sale on Wednesday December 7th at 9am. For more information on Flow Festival, including ticket options and prices, check out the festival’s website here.
Posted in Festivals, Live Music
Posted on 26 November 2011
This weekend’s Essential Mix travels to Bristol’s skate park turned warehouse party, In:Motion, for a Eats Everything live session. Fresh off his latest EP for Dirtybird, Eats Everything aka Dan Pearce has quickly become the unforgettable champion of low-slung house. Boasting a handful of releases in the past year including one of the 2011 summer anthems ‘Entrance Song‘, Bristol seems to have yet another star. Expect two hours of chunky bass laden house perfect for getting your booty shaking.
Eats Everything – Essential Mix Live at In:Motion [Download]
Be sure to tune in next week for Pearson Sound!
Posted on 22 November 2011
The Chicago-based Lollapalooza festival will again bring its South American edition to O’Higgins Park in Santiago, Chile on March 31-April 1 2012 and, for the first time, to the Jockey Club in Sao Paulo, Brazil on April 7-8 2012. The lineups were announced yesterday and include world renowned acts like the Foo Fighters, Arctic Monkeys, MGMT, Skrillex, TV on the Radio, and Foster the People, as well as local artists. For the full lineups for both festivals, see the links below.
Santiago, Chile Lineup – March 31 – April 1 2012
Sao Paulo, Brazil Lineup – April 7 – April 8 2012
Posted in Festivals, Live Music, Music News
Posted on 17 November 2011
The second day of the Brooklyn Electronic Music Festival took the energy from the previous day’s festivities and doubled it, with all of Williamsburg awash in the sound of beats and dancing feet. Rubble from the night before was still littering the streets as the darkness set in, the energy picked up, and New York City’s cool kids emerged from their hangovers to start the party all over again.
At the Public Assembly Loft, Tim Sweeney stepped in around midnight, spinning his signature blend of house and disco, grooving right along with his rapt audience. Jackmaster the took over to great cheers, proceeding to drop a set of serious bangers; nothing short of a greatest hits of house and techno from 2011. As Julio Bashmore’s “Battle for Middle You” came floating out from the speakers, the entire crowd sang along, as best they could to en electronic track. Scuba’s “Feel It” was also a huge hit, getting those last few people who weren’t moving to hit the dancefloor. Braille followed, proving without a doubt that he’s a DJ in his own right (although everyone loves a good Sepalcure performance).
Downstairs, Fout Tet played to a truly packed house, with people so crammed in they were spilling out from every door. Kingdom and Girl Unit went bass heavy, focusing on the lower and more dub centric spectrum of sound. Meanwhile, Thugfucker spun deep house next door, with no shortage of pretty girls pressing up toward the DJ booth. The house was still packed when the lights went on at 4am, and the bleary eyed population was evicted into the streets in search of an afterparty. BEMF, why’d you have to go? We look forward to seeing you again next year.
Posted in DJ, Festivals, Live Music, Music News, Photo Gallery
Posted on 14 November 2011
11-11-11 was a magical day for NYC’s music scene. Plaid and the Gamelan Dhara Swara played at LPR, it was the first night of the Brooklyn Electronic Music Festival, Paco Osuna was spinning at Good Units, and MiM0$a was rocking out at Webster Hall alongside Alex English. Energy levels were high and HiFi was on a mission to catch as much music possible for the eve.
Le Passion Rouge was first on the list. We made our way through the doors with plenty of time to down a few Vodka-RedBulls during happy hour. As happy hour concluded, the Gamelan Dharma Swara took the stage. This 15+ person group performs the music and dance of Bali in the NYC area. Gamelan was dressed in beautiful authentic Indonesian attire and played a myriad of instruments that I can not name. An orchestra of percussion, woodwinds, and xylophone-like instruments was spread across the stage. Their structured tunes sounded atonal and chaotic, yet your ear could grasp the tonal center that remained audible through a maze of accidentals and modes. The group finished with two dancers acting out the story behind the music onstage. They were confronted by an evil daemon, but victoriously forced the daemon away.
Plaid took the stage next. I was unaware of what to expect from the avaunt guard Warp duo. They managed to deliver a very true representation of their studio tracks. The entire set itself felt like one long continuous song with very few rests. Much of the set had this distinct under water sound, which mirrored their opening video montage of a girl swimming and encountering a deadly octopus. Whimsical melodic lines were laid on top of structured rhythms and patterns. Soft synth lines ran back and forth from spacious simple sounds to dark and heavy drones. When looking out into the audience, their confusion was visible. Throughout the first 15 minutes of the set most everyone stood still. As time progressed, everyone started dancing to the tune of their own horn. It looked crazy, but it made sense. Plaid took the crowd on a symphonic journey through their heavy beats. A part of me wished they had jammed out in downtempo. The set was great, and overwhelmingly powerful, but the constant change from fast to slow became somewhat exhausting. However, the creation of tones produced put our ears in music heaven for the entirety of their set.
We left LPR and heading directly to Williamsburg for BEMF. Friday night was Cold. Quite frigid to say the least. We huddled on the subway for warmth all the way to the Bedford stop. After securing our wrist bands, we ran into The Cove for warmth and successfully succeeded with the disco funk beats pouring out from the decks by Nick Hook. We danced to his tunes and stared at the beautiful green lazers bouncing around the room. The Cove was not the only poppin’ place at that time. BEMF had taken over all of north Williamsburg, with showcases at the Music Hall of Williamsburg, Public Assembly, Cameo, and Zablozki’s. It was visibly obvious that The Cove was slowly but surely filling up, and by the time Hudson Mohawke took over the decks, you could barely move. The recognizable Shower Melody opened his set and the crowd went nuts. Unfortunately I couldn’t get a glimpse of Hudson, but knowing that I was dancing to a set curated Ross Birchard himself, made it all worthwhile.
In the midst of Hudon’s set, I fled over to the Music Hall of Williamsburg to catch the Fischerspooner DJ set by Casey Spooner and Lauren Flax. Casey looked dashing in his black suit with bright purple hair. He and Lauren plunged into a fresh remix Casey had made featuring Patti Smith. From there on out, deep house beats pulsated through the airwaves in the MHoW and it felt like we danced until the sun the came up. Or 3 AM. As the audience filed out, with exhausted yet elated looks on their faces. HiFi stuck around to chat one on one with Casey Spooner himself. Casey is a very kind and humble man. Sitting, talking, and drinking beers with an artist of his caliber was mind blowing, and probably one of the coolest things I have ever done. (The interview will be up in the next few days.) By 4:30 AM we stumbled back into our apartment and fell into a deep deep sleep.
11-11-11 was a magical day indeed. The music witnessed that evening was the perfect combination of the finest from BK and the UK. BEMF was as great success as well as the early show at LPR. We can’t wait for next year. Cheers.
Posted in Art, Concerts, DJ, Editorial, Events, Festivals, HiFi Cartel, Live Music, Local Flavor, Music News, Review
Posted on 14 November 2011
On Tuesday, November 22, Nervous Records and Société Perrier will bring a night of house to Cielo. Headliner Norman Doray is coming all the way from France in celebration of his latest album, “Amsterdam to Ibiza” (out on Strictly Rhythm), following an opening performance from New York’s own Theo, who recently released “School of House” (Nervous Records).
Tickets for this Nervous Tuesday even can be purchased online until 6pm the day of the show.
We’re also offering one lucky HiFi reader a pair of tickets to the event. Enter after the jump, the contest will close on Saturday, November 19 at noon. Good luck!
Posted in Concerts, Contest, DJ, Events, Live Music
Posted on 12 November 2011
Fischerspooner is THE band that jump started my electronic-music obsession almost ten years ago. When I was offered the chance to sit down and chat with Casey Spooner (half of the Fischerspooner duo), I gasped and squealed like an over-enthused 13-year-old girl and immediately accepted the offer. Though I tortured my brain for days on end to come up with ‘the best’ interview questions, as soon as I sat down with Casey and cracked upon a Stella, my preparation dissolved into thin air. Casey was (and is) a kind, gentle soul and easy to talk to. He looked dashing in his classic tuxedo topped off with long flowing coattails and a top hat. As soon as he removed his top hat, a head of purple hair glistened in back-stage-light and I thought, “Damn. This man is one elegant rock star.”
He was eager to share his experiences and our scheduled ten-minute interview turned into an hour-long conversation. His tone was genuine, sarcastic, and informative. It was the perfect conclusion to my BEMF experience and a night I will forever remember. Below are some highlights from our conversation.
HiFi: This is your first time at BEMF in the 4 years it’s existed. What do you think of it so far?
Casey: Well, I can’t be the best judge of it since I showed up 15 minutes before my set and now it’s 4 in the morning, but I’ve always wanted to be a part of it. I’ve always thought, well “I live in Brooklyn, why can’t I be a part of it [BEMF]? I AM Brooklyn electro. I invented it!”
HiFi: Your set tonight was very disco heavy. Are you gravitating towards a deep disco sound in your solo career?
Casey: It’s really hard to get away from disco. The more you DJ, it gets so exhausting, so tiring how psychotic modern dance music is. At first it’s fun, it’s two-tonic and aggressive, all these weird screeching, screaming, noodling, computer sounds, but that’s kind of like tonight. I was doing that and then all of a sudden I wanted to play something else. Lauren and I are about to embark on a world tour next week and I wanted to play this track that we had just created. That track was very euro, very cheesy, so I did it. I played it, and then realized I couldn’t stop there. So then I started playing these electro ragas, and realized I couldn’t end there, but people were dancing so I went back to disco. It was kind of a weird set, and not what I was expecting to play, but that’s the beauty of live music.
HiFi: Are you currently creating music?
Casey: I actually started the set with a remix I produced that I literally had to go home and download the final version before I got here; it was the Patti Smith track. That was the premier; I was testing it to see how the final mix sounded. I actually wanted to play it again!
HiFi: You should have! Have you ever repeated tracks in a DJ set?
Casey: I’m so bad like that. I love to have one song and just play it over and over and over again. I DJed a friends house party and I just didn’t want to stop but I didn’t want to play anything other than these two songs so I did it, and the audience was like. “Ohhh Kay, can you please stop?”
HiFi: What tour are you about to embark on with Lauren?
Casey: Lauren and I are about to go on a DJ tour. We’re heading to Paris, Bangkok, Singapore, Hong Kong, Milan, Florence, then and Athens, Greece.
HiFi: Have you performed live in South East Asia before?
Casey: No we haven’t. And everyone has always told us to go to Japan, I feel like they are my people! When we released the album on EMI, I tried very hard to get us to go over to Japan, but they only wanted us to do press in the UK and LA. I had never gone to Asia until last year and I wanted to open the market up for us over there. We DJed last year in Bangkok, Singapore, Bali, and Fuji-Rock (a big music festival in Japan). So now we’re going back and I can’t wait.
HiFi: Do you incorporate any of your solo work that you did on “Adult Contemporary” into your DJ sets?
Casey: Gosh, that’s so funny, you know I probably should. There is one remix of Faye Dunaway that could work. I’ve tried but it’s really tough. People come to the Fischerspooner DJ set wanting hard electro. So I feel obligated to stick within certain genre, obviously I’m playing ragas and Larry Levine, but that’s just because we’re at home and it’s comfortable. But when you’re headlining and playing for 2,000 people, you HAVE to play Emerge.
HiFi: Do you like your track Emerge?
Casey: I like it, but I don’t have to hear it. It’s such a cliché. But, there are songs that I love that I never get sick of. But I never would’ve imaged that I would make one of those “Underground-Cult-Hits”, but I did. So I am thankful that I got to make something like that.
HiFi: Do you prefer performing live or curating the music through a DJ set?
Casey: I am not a technical person. I hate computers, I don’t program music, I don’t know how to do anything. I never wanted to be a DJ because I grew up in Chicago and was immersed in the most amazing scene with all of these incredible DJs. I don’t feel like I transfer myself through machinery- it’s just not my thing and it makes me sleepy. The other thing is, if the music is really good and going well, the last place in the fucking world I want to be is standing behind a computer. I want to be enjoying it and dancing. I feel that right when the music gets good, I have to cue something and it makes me feel like I miss the party because I’m working. It is fun but to me it’s not as powerful as performing a live show. That is the great thing about performing with Warren [Fischer, the other half of Fischerspooner) because he’s manning the machines while I’m in-front and together we’re creating art and that art is our own world within our music.
HiFi: What is it like to tour with this world you created?
Casey: AWESOME. I fight and struggle to stay in that world. For our last record we spent two years developing the show and three years touring it, so for five years I was living in that world. But at the end of this past summer I sat down and realized, “I have performed this show and perfected it to its finest degree, and now it’s time to move on.”
HiFi: How did Fischerspooner start? Was there this small-scale alternative world that just happened when the two of you first performed together?
Casey: When we first started there was no big plan. It started with Warren Fischer, Karen Fischer and I working on a film project. The film project was a pitch for a TV show that a production company asked us to do. It was kind of lame, Warren was frustrated with being a commercial director, he wasn’t making music, and he had this amazing band in Chicago called Table that made beautiful, complicated rock music. So I said to him, “You really should be making music. Why don’t we take some of this film footage, you can score original music to it, and try it as a new way to incorporate music.” That’s what we did. After a series of events, we created this song and were asked to perform it at Starbucks on Astor Place. It was me doing this experimental theater, electro, dancing act while I was speaking in an Indian accent taking personal experience and putting it into song. It was mildly offensive, sort of filthy, and the punch line was “Do you want to see it? If you like it, you try. If you don’t like it, you don’t have to try.” And we looked at each other after the performance and said, “Oh Shit! This is interesting! Let’s do this again.” From there record companies started chasing us. But I was not naive. I was thirty when we started this whole process and knew that if we were going to do this, we had to be in total control. And it was like, “No.” We signed with EMI and all of those cliché things you hear are so true. It got out of control and I thought, “What the fuck happened? I was supposed to be an artist and now I’m dealing with corporate bullshit.”
HiFi: So do you think you will put out a 4th Fischerspooner album?
Casey: We’re talking about it now. I’m not opposed to it, but I’m so bored with the format. It’s so formulaic. So I think we will put out an album, I’m just not positive.
Posted in Editorial, HiFi Cartel, Interview
Posted on 11 November 2011
Plaid is not just for hipsters, country music stars, your grandfather, or Scottish kilts. That statement was not meant to offend, nothing beats wearing a heavy plaid button down on a cold New York City day like today, but I am not talking about anything clothing related. The Plaid I’m speaking of is the group of two master curators and creators of sound, the London based duo, Andy Turner and Ed Handley.
Apologies, but I must take a few minutes to gush about how phenomenal these two musicians are. A friend introduced me to Plaid about three years ago, and still, I find myself picking up on new details within the same tracks live listened to hundreds of times over. Plaid is not a group that can be labeled, nor can you fit them into a box. Their compositions are whimsical, spacious, and organic. All of these components (not simultaneously of course) are present in their unique sound: ambient, breakbeat, chiptune (video game music), disco, downtempo, drum and bass (on the lighter side), electronic art music, glitch, IDM, synthpop, melodic, atonal, all fused together with characteristics from every genre imaginable. The tranquil yet complex tunes that are birthed from these two have the ability to take your breath away.
The group is signed to the one and only Warp Records (thank you Steve Beckett and Rob Mitchell) that has signed A-List, head of their time talent such as Aphex Twin, Bibio, Grizzly Bear, Hudson Mohawke (who is also playing tonight at the Brooklyn Electronic Music Festival), Squarepusher, and !!!. Plaid released their first album in 1991 and their most recent album ‘scintilli’ a few months ago. Sharon O’Connell of Time Out London said the following of ‘scintilli’:
“The euphoric immediacy of the whole record belies its painstaking, dazzling multifaceted beauty and ‘Tetris’ like construction, which makes pick a highlight impossible.”
We will leave you with a few of our favorite tunes from Plaid. Hopefully you will purchase your ticket HERE for their show tonight at LPR, and we will see you there! Happy Friday.
Posted in Concerts, DJ, Editorial, Events, Live Music
Posted on 10 November 2011
Wim Plug, Mark Kneppers and Oscar De Jong are the studio core of Kraak & Smaak. Their 80′s inspired disco funk vibrations resemble a hypothetical hybrid between Curtis Mayfield and Jamiroquai. After originally bonding over a slavish devotion to vinyl and a love for classic funk records, this trio went on to record their debut album, ‘Boogie Angst’. Picked up in the UK by Radio 1 and in LA by KCRW the band quickly acquired fans, especially in the Los Angeles TV and Film community. This led to their music being used in hospital chick show Greys Anatomy that in turn spiraled to widespread use in other films and shows.
2011 is the year that Kraak & Smaak will take center stage with the release of their third studio album, ‘Electric Hustle’. The first single, ‘Dynamite’, has already become the most added electronic record at American College Radio and the band debuted their new live show at Eurosonc Festival to a rapturous response ahead of a mad summer touring.
DJ magazine IDJ describes Kraak & Smaak as a “must see live band” and New Yorkers you are in luck! The trio will be performing live tonight at DROM. Admission is FREE until midnight with RSVP. Otherwise, admission is $10. You can RSVP here. Check out their video for ‘Squeeze Me’ below. See you tonight at DROM! 85 Avenue A (between 5th and 6th streets) 21+ with ID, doors at 10 PM.