Posted on 12 December 2011
Article By: Mark Dommu
Photos By: Jenna Gard
This Saturday night those of us looking to boogie made the irritatingly inconvenient trip to Terminal 5 (seriously, T5 is so out of the way) for HARD X MOUTH TAPED SHUT, a party in celebration of The Girl With the Dragon Tattoo. The night promised to be a good one, with LCD Soundsystem’s James Murphy opening for Italian electronic duo The Bloody Beetroots. I’m a long time Beetroots fan and have seen them spin several times, always waking up sore and happy the next day, so I went in with high expectations.
The event was 18 and over and free, which meant that about 80% of the crowd had black x’s on their hands. I wondered several times if HARD had been handing out flyers to NYU freshman in Washington Square Park. I’m also not sure how exactly the event had anything to do with The Girl With the Dragon Tattoo, aside from the fact that Rooney Mara’s head was everywhere…I guess that’s enough?
Proxy and Eye started out the evening, getting the initially small crowd dancing. When Proxy finished up the audience started calling eagerly for James Murphy, only to be met with a ridiculously long wait for his set. After about half an hour someone finally announced that there were technical difficulties and we were placated with Trent Reznor and Karen O’s cover of “Immigrant Song”, which debuted this summer with the first trailer for The Girl With the Dragon Tattoo.
After an hour of oddly low-tempo filler music (one prolific teenager behind me commented that, “this music is not, like, nice”) Murphy finally appeared and rather halfheartedly apologized for the wait, citing problems with a turntable…or something. He promised the audience, “We’re gonna have as much fun as you can in a short period of time with your clothes on.”
He was…not exactly telling the truth. After such a long wait, Murphy’s set was rather anticlimactic. The set started off with a funky tribal beat that stayed smooth and easy and got everyone dancing. For the most part Murphy’s set sounded like Miami in the 70s, and also maybe the 90s. There were a few interesting moments throughout, one drawn out warping sounded like a spaceship taking off, but for the most part it was an altogether uninspired set and Murphy seemed to be disinterested in the whole affair.
Almost the second Murphy finished the crowd started chanting for the Bloody Beetroots, and the crowd went wild when they appeared. They started with a bang and tore relentlessly through a thrashing, thumping and glorious set. If you’ve never seen the Bloody Beetroots spin before than you are seriously missing out. It’s the kind of set that you have to flail and jump around too. I could feel the bass pounding in my chest, making my face throb with every pulse.
The Bloody Beetroots are certifiable bad asses and they also clearly care about their audience having a good time, They were invested in the crowd’s enjoyment, at one point coming out form behind the DJ booth to rev everyone up. The crowd was losing their shit, I was almost kicked in the head by three different crowd surfers and did not care.
The Bloody Beetroots definitely made the entire night worthwhile, and on the way home I kept thinking about alien’s in boat shoes dancing to James Murphy’s set…so there’s that. I did wake up the next morning sore and happy wit the thump-thump still pulsing in my head, so mission accomplished.
For Jenna Gard’s full photo gallery: click here
Posted in Concerts, Editorial, Events, HiFi Cartel, Live Music, Local Flavor, Music News, Review
Posted on 11 December 2011
It was almost a year ago when I first caught wind of the French pop-star Yelle. The record label I was working for was promoting her new album “Safari Disco Club” and received hundreds of her albums and posters. I was immediately drawn to Yelle because she had a strong style resemblance to one of my favorite female rockers, Karen O. Upon first listen of her album I was sold. I do not speak French and did not understand a single word of what was going on, but I did know: it sounded happen, was impossible to not dance to, and was upbeat. Good enough for me.
The Music Hall of Williamsburg was sold out and filled with an ecstatic audience on December 9th. Yelle took the stage in her iconic ‘mop’ like body suit that could have come straight out of Christian Joy’s closet. Behind her GrandMarnier and Tepr had started playing their pop-heavy synth lines and warming the crowd up. Yelle burst out into song and the audience went nuts.
That night I was able to appreciate music as a universal language. Though I hear that saying often and it was a core principle in my college curriculum, witnessing the phenomena live brought the saying full circle. The mass majority of the audience didn’t speak French and could not sing along with Yelle. But everyone knew how to dance. Everyone knew how to hum along with the catchy melody lines. That ladies and gentleman is art.
Yelle stripped down to an ‘ode to America’ Budweiser onesie that could have been glued to her body. She yelled out, “My English is not very good and your French is not very good, but I love Brooklyn, and this has been my favorite show of this tour! Thank you!” I can’t tell you which songs were played but I can tell you that they were played well and with emotion.
Posted in Concerts, Editorial, HiFi Cartel, Live Music, Review
Posted on 09 December 2011
Looking to dance your ass off this weekend? This Saturday night the Bloody Beetroots will rock the shit out of Terminal 5 for HARD x MOUTH TAPED SHUT, an event celebrating the release of The Girl With the Dragon Tattoo. The electronic duo will spin a DJ set, supported by James Murphy (of LCD Soundsystem), Proxy and Eye. Surprisingly this show is FREE! All you need to do is RSVP! Unfortunately, the RSVP list is now full, but if you get to the venue early chances are high that you will be able to get in for free! Terminal 5 will be the place to be at 7 PM. See you there! For more information about the event, click here.
Posted in Editorial, Events, Live Music
Posted on 09 December 2011
Tonight, Yelle will be taking over the Music Hall of Williamsburg with Housse De Racket in towe. According to the rave reviews we have been reading left and right, both French pop-duos rocked Webster Hall last night. Yelle is fronted and named by Yelle, nee Julie Budet, a sparky gamine with a deceptively demure schoolgirl voice. Joined by producers GrandMarnier (Jean-Francois Perrier) and Tepr (Tanguy Destable), Yelle first arrived amid a flurry of 80′s inspired pop, with the likes of CSS and New Young Pony Club all revered for their take on brightly colored electro. Unfortunately tonight’s show is sold out, but we strongly suggest checking out Craigslist! Show starts at 9, doors open at at 8, see you there!
Posted on 05 December 2011
If you’ve used Ticketmaster’s fun-filled website to purchase tickets in the past twelve years your concert addiction will be getting some much needed help. Well ‘help’ like a slap on the face.
A proposed class action settlement will force Ticketmaster to credit $1.50 per ticket order (up to 17 orders) to customers due to the fact that they profited off of “processing fees”. Despite the max payout being a hefty $25.50 for avid concert-goers, the reality is that Ticketmaster is screwing you again. See this money is actually in the form of Ticketmaster “credits” which may only be used to purchase more tickets. Therefore not only are we getting chump charge for our fleecing but we are forced to pay these monopolizing criminals more money to even see a dime. Meanwhile the Counsel attorneys plan to ask for $16,500,000 awarded for attorneys’ fees and expenses. Seems fair. I say give it to us in quarters & one sock and let’s #occupyticketmaster.
Don’t expect to see your ‘money’ till May 2012 but if you would like to join the settlement CLICK HERE.
Posted in Concerts, Editorial, Music News
Posted on 29 November 2011
Wednesday, November 30th – Tiesto @ Pacha - Advance Tickets
Part 1 of the Pacha NYC 6-Year Anniversary Celebration! Whether it be the 250,000 revelers coming together at Ipanema Beach in Rio De Janeiro, the adoring clubbers who descend upon Privilege in Ibiza on a Monday night every summer, or the 25,000 fans en masse at Victoria Park in London, all are in attendance for the same reason: they have come to see Tiësto, the world’s biggest DJ/Producer! Tiesto is also performing on Thursday, December 1st at Lavo. For more info: click here
Thursday, December 1st – DARKSIDE Debut @ Music Hall of Williamsburg - Advance Tickets
DARKSIDE (Nicolas Jaar + Dave Harrington) began when a converter plug exploded in Nicolas Jaar and Dave Harrington’s Berlin hotel room during their summer tour. When the smoke cleared, they knew their twin, white Genelec speakers were fried. But rather than retire for the night, they both plugged into a computer and merged sounds, forming DARKSIDE. For more info: click here
Thursday, December 1st – BESPOKE + Mano Le Tough @ 4 Vandam St - Free with RSVP
Bespoke launches next Thursday, December 1st at the brand new art gallery, nightclub + lounge located at 34 Vandam St., aka Work in Progress. Admission is free all night, simply RSVP to be placed on the guestlist. Expect exceptional electronic music-an aural and visual feast featuring some of the most forward-thinking DJs/producers at one of the most interesting and exciting new venues to come to New York in years. For more info: click here
Friday, December 2nd – Verboten Presents Rebel Rave @ Good Units - Advance Tickets
Damian Lazarus and the infamous Rebel Rave Tour descend upon New York for one night only, and Verboten’s got em. Join the Crosstown Rebels head and his gang, including Lee Curtiss (Visionquest), Clive Henry (Circoloco, Peace Division), Culprit’s Droog, and the New York debut of Subb-an, for an incredible throw down of epic proportions. For more info: click here
Friday, December 2nd – BLKMARKET with KOZE & Robag Wruhme @ TBA - Advance Tickets
On Friday 2nd December, we celebrate co-founder and resident DJ Fahad Haider’s Birthday Bash! For this night we have invited some close friends of ours to share the decks for the celebration. DJ Koze and Robag Wruhme have both been invited to play extended sets for the party. Also joining the lineup is Shadi Megallaa with residents Taimur & Fahad. If that’s not enough this event is also DJ Koze’s first record label night in the U.S. Ladies and gentlemen lets get ready for the Pampa records showcase! For more info: click here
Friday, December 2nd – Loco Dice @ Pacha - Advance Tickets
Part 2 of the Pacha NYC 6-Year Anniversary Celebration! Loco Dice is someone who can puzzle together intangible moods with a direct approach. Via his DJ sets or his productions on labels like M_nus, Cadenza, Ovum, Four Twenty and Cocoon, he merges perspectives in his delicate sense for sounds and reflective atmospheres, underpinned with solid, physical grooves inspired by the hip hop that was his early sonic stomping ground in the mid- to late ‘90s. There’s something there for the dreamers, as well as for the 9-to-5ers who just want to lose everything in a moment of abandon on the dancefloor. For more info: click here
Friday, Dember 2nd – Digitalism (Live) @ Webster Hall – Advance Tickets 19+
Digitalism have been responsible for some of the most outstanding tracks of the genre. ‘Zdarlight’, ‘Idealistic’, ‘Digitalism In Cairo’ (an amazing Cure remix), ‘Jupiter Room’, ‘Pogo’ among others, helped Digitalism stand out from the crowd. Recent tracks like ‘Circles’ from their new album ‘I Love You Dude’ just press the point further; these guys are awesome. They will be playing for us this Friday at our Girls and Boys party at Webster Hall with Nadastrom and Data Romance. We are looking forward to this one.
Saturday, December 3rd – Jeff Mills @ LPR - Advance Tickets
The Axis visionary and techno icon JEFF MILLS returns to New York for a very special night at (le) Poisson Rouge! Basic NYC is excited and honored to welcome Jeff to LPR for his long-awaited return set, where he’ll be featuring his latest spellbinding music – his new score of the 60′s Sci-Fi film classic “Fantastic Voyage”, his brand-new double album on his own Axis Records label. We’re bringing in extra sound and visuals for this night, which will feature an extended set from the always-amazing Jeff. Don’t miss out on this intimate performance from one of the world’s most important artists. For more info: click here
Saturday, December 3rd – Octave @ National Underground - Advance Tickets
Dasha Rush [ Fullpanda | Sonic Groove | Berlin ] Mike Parker [ Prologue | Mote Evolver | Buffalo ] Jeff Derringer [ Perc Trax | Chicago ] 11 PM – 6 AM, For more info: click here
Sunday, December 4th – Mark Verbos, Jacques Renault, Walker & Royce @ Brooklyn Terrace - Advance Tickets
Nurvous Records and Benny Soto present three of the top dj’s in the evolving nu-disco genre. We are giving away two lists spots to anyone who gives us a shout on our Facebook page.
Posted in Concerts, DJ, Editorial, Events, HiFi Cartel, Live Music, Local Flavor, Music News
Posted on 14 November 2011
11-11-11 was a magical day for NYC’s music scene. Plaid and the Gamelan Dhara Swara played at LPR, it was the first night of the Brooklyn Electronic Music Festival, Paco Osuna was spinning at Good Units, and MiM0$a was rocking out at Webster Hall alongside Alex English. Energy levels were high and HiFi was on a mission to catch as much music possible for the eve.
Le Passion Rouge was first on the list. We made our way through the doors with plenty of time to down a few Vodka-RedBulls during happy hour. As happy hour concluded, the Gamelan Dharma Swara took the stage. This 15+ person group performs the music and dance of Bali in the NYC area. Gamelan was dressed in beautiful authentic Indonesian attire and played a myriad of instruments that I can not name. An orchestra of percussion, woodwinds, and xylophone-like instruments was spread across the stage. Their structured tunes sounded atonal and chaotic, yet your ear could grasp the tonal center that remained audible through a maze of accidentals and modes. The group finished with two dancers acting out the story behind the music onstage. They were confronted by an evil daemon, but victoriously forced the daemon away.
Plaid took the stage next. I was unaware of what to expect from the avaunt guard Warp duo. They managed to deliver a very true representation of their studio tracks. The entire set itself felt like one long continuous song with very few rests. Much of the set had this distinct under water sound, which mirrored their opening video montage of a girl swimming and encountering a deadly octopus. Whimsical melodic lines were laid on top of structured rhythms and patterns. Soft synth lines ran back and forth from spacious simple sounds to dark and heavy drones. When looking out into the audience, their confusion was visible. Throughout the first 15 minutes of the set most everyone stood still. As time progressed, everyone started dancing to the tune of their own horn. It looked crazy, but it made sense. Plaid took the crowd on a symphonic journey through their heavy beats. A part of me wished they had jammed out in downtempo. The set was great, and overwhelmingly powerful, but the constant change from fast to slow became somewhat exhausting. However, the creation of tones produced put our ears in music heaven for the entirety of their set.
We left LPR and heading directly to Williamsburg for BEMF. Friday night was Cold. Quite frigid to say the least. We huddled on the subway for warmth all the way to the Bedford stop. After securing our wrist bands, we ran into The Cove for warmth and successfully succeeded with the disco funk beats pouring out from the decks by Nick Hook. We danced to his tunes and stared at the beautiful green lazers bouncing around the room. The Cove was not the only poppin’ place at that time. BEMF had taken over all of north Williamsburg, with showcases at the Music Hall of Williamsburg, Public Assembly, Cameo, and Zablozki’s. It was visibly obvious that The Cove was slowly but surely filling up, and by the time Hudson Mohawke took over the decks, you could barely move. The recognizable Shower Melody opened his set and the crowd went nuts. Unfortunately I couldn’t get a glimpse of Hudson, but knowing that I was dancing to a set curated Ross Birchard himself, made it all worthwhile.
In the midst of Hudon’s set, I fled over to the Music Hall of Williamsburg to catch the Fischerspooner DJ set by Casey Spooner and Lauren Flax. Casey looked dashing in his black suit with bright purple hair. He and Lauren plunged into a fresh remix Casey had made featuring Patti Smith. From there on out, deep house beats pulsated through the airwaves in the MHoW and it felt like we danced until the sun the came up. Or 3 AM. As the audience filed out, with exhausted yet elated looks on their faces. HiFi stuck around to chat one on one with Casey Spooner himself. Casey is a very kind and humble man. Sitting, talking, and drinking beers with an artist of his caliber was mind blowing, and probably one of the coolest things I have ever done. (The interview will be up in the next few days.) By 4:30 AM we stumbled back into our apartment and fell into a deep deep sleep.
11-11-11 was a magical day indeed. The music witnessed that evening was the perfect combination of the finest from BK and the UK. BEMF was as great success as well as the early show at LPR. We can’t wait for next year. Cheers.
Posted in Art, Concerts, DJ, Editorial, Events, Festivals, HiFi Cartel, Live Music, Local Flavor, Music News, Review
Posted on 12 November 2011
Fischerspooner is THE band that jump started my electronic-music obsession almost ten years ago. When I was offered the chance to sit down and chat with Casey Spooner (half of the Fischerspooner duo), I gasped and squealed like an over-enthused 13-year-old girl and immediately accepted the offer. Though I tortured my brain for days on end to come up with ‘the best’ interview questions, as soon as I sat down with Casey and cracked upon a Stella, my preparation dissolved into thin air. Casey was (and is) a kind, gentle soul and easy to talk to. He looked dashing in his classic tuxedo topped off with long flowing coattails and a top hat. As soon as he removed his top hat, a head of purple hair glistened in back-stage-light and I thought, “Damn. This man is one elegant rock star.”
He was eager to share his experiences and our scheduled ten-minute interview turned into an hour-long conversation. His tone was genuine, sarcastic, and informative. It was the perfect conclusion to my BEMF experience and a night I will forever remember. Below are some highlights from our conversation.
HiFi: This is your first time at BEMF in the 4 years it’s existed. What do you think of it so far?
Casey: Well, I can’t be the best judge of it since I showed up 15 minutes before my set and now it’s 4 in the morning, but I’ve always wanted to be a part of it. I’ve always thought, well “I live in Brooklyn, why can’t I be a part of it [BEMF]? I AM Brooklyn electro. I invented it!”
HiFi: Your set tonight was very disco heavy. Are you gravitating towards a deep disco sound in your solo career?
Casey: It’s really hard to get away from disco. The more you DJ, it gets so exhausting, so tiring how psychotic modern dance music is. At first it’s fun, it’s two-tonic and aggressive, all these weird screeching, screaming, noodling, computer sounds, but that’s kind of like tonight. I was doing that and then all of a sudden I wanted to play something else. Lauren and I are about to embark on a world tour next week and I wanted to play this track that we had just created. That track was very euro, very cheesy, so I did it. I played it, and then realized I couldn’t stop there. So then I started playing these electro ragas, and realized I couldn’t end there, but people were dancing so I went back to disco. It was kind of a weird set, and not what I was expecting to play, but that’s the beauty of live music.
HiFi: Are you currently creating music?
Casey: I actually started the set with a remix I produced that I literally had to go home and download the final version before I got here; it was the Patti Smith track. That was the premier; I was testing it to see how the final mix sounded. I actually wanted to play it again!
HiFi: You should have! Have you ever repeated tracks in a DJ set?
Casey: I’m so bad like that. I love to have one song and just play it over and over and over again. I DJed a friends house party and I just didn’t want to stop but I didn’t want to play anything other than these two songs so I did it, and the audience was like. “Ohhh Kay, can you please stop?”
HiFi: What tour are you about to embark on with Lauren?
Casey: Lauren and I are about to go on a DJ tour. We’re heading to Paris, Bangkok, Singapore, Hong Kong, Milan, Florence, then and Athens, Greece.
HiFi: Have you performed live in South East Asia before?
Casey: No we haven’t. And everyone has always told us to go to Japan, I feel like they are my people! When we released the album on EMI, I tried very hard to get us to go over to Japan, but they only wanted us to do press in the UK and LA. I had never gone to Asia until last year and I wanted to open the market up for us over there. We DJed last year in Bangkok, Singapore, Bali, and Fuji-Rock (a big music festival in Japan). So now we’re going back and I can’t wait.
HiFi: Do you incorporate any of your solo work that you did on “Adult Contemporary” into your DJ sets?
Casey: Gosh, that’s so funny, you know I probably should. There is one remix of Faye Dunaway that could work. I’ve tried but it’s really tough. People come to the Fischerspooner DJ set wanting hard electro. So I feel obligated to stick within certain genre, obviously I’m playing ragas and Larry Levine, but that’s just because we’re at home and it’s comfortable. But when you’re headlining and playing for 2,000 people, you HAVE to play Emerge.
HiFi: Do you like your track Emerge?
Casey: I like it, but I don’t have to hear it. It’s such a cliché. But, there are songs that I love that I never get sick of. But I never would’ve imaged that I would make one of those “Underground-Cult-Hits”, but I did. So I am thankful that I got to make something like that.
HiFi: Do you prefer performing live or curating the music through a DJ set?
Casey: I am not a technical person. I hate computers, I don’t program music, I don’t know how to do anything. I never wanted to be a DJ because I grew up in Chicago and was immersed in the most amazing scene with all of these incredible DJs. I don’t feel like I transfer myself through machinery- it’s just not my thing and it makes me sleepy. The other thing is, if the music is really good and going well, the last place in the fucking world I want to be is standing behind a computer. I want to be enjoying it and dancing. I feel that right when the music gets good, I have to cue something and it makes me feel like I miss the party because I’m working. It is fun but to me it’s not as powerful as performing a live show. That is the great thing about performing with Warren [Fischer, the other half of Fischerspooner) because he’s manning the machines while I’m in-front and together we’re creating art and that art is our own world within our music.
HiFi: What is it like to tour with this world you created?
Casey: AWESOME. I fight and struggle to stay in that world. For our last record we spent two years developing the show and three years touring it, so for five years I was living in that world. But at the end of this past summer I sat down and realized, “I have performed this show and perfected it to its finest degree, and now it’s time to move on.”
HiFi: How did Fischerspooner start? Was there this small-scale alternative world that just happened when the two of you first performed together?
Casey: When we first started there was no big plan. It started with Warren Fischer, Karen Fischer and I working on a film project. The film project was a pitch for a TV show that a production company asked us to do. It was kind of lame, Warren was frustrated with being a commercial director, he wasn’t making music, and he had this amazing band in Chicago called Table that made beautiful, complicated rock music. So I said to him, “You really should be making music. Why don’t we take some of this film footage, you can score original music to it, and try it as a new way to incorporate music.” That’s what we did. After a series of events, we created this song and were asked to perform it at Starbucks on Astor Place. It was me doing this experimental theater, electro, dancing act while I was speaking in an Indian accent taking personal experience and putting it into song. It was mildly offensive, sort of filthy, and the punch line was “Do you want to see it? If you like it, you try. If you don’t like it, you don’t have to try.” And we looked at each other after the performance and said, “Oh Shit! This is interesting! Let’s do this again.” From there record companies started chasing us. But I was not naive. I was thirty when we started this whole process and knew that if we were going to do this, we had to be in total control. And it was like, “No.” We signed with EMI and all of those cliché things you hear are so true. It got out of control and I thought, “What the fuck happened? I was supposed to be an artist and now I’m dealing with corporate bullshit.”
HiFi: So do you think you will put out a 4th Fischerspooner album?
Casey: We’re talking about it now. I’m not opposed to it, but I’m so bored with the format. It’s so formulaic. So I think we will put out an album, I’m just not positive.
Posted in Editorial, HiFi Cartel, Interview
Posted on 11 November 2011
Plaid is not just for hipsters, country music stars, your grandfather, or Scottish kilts. That statement was not meant to offend, nothing beats wearing a heavy plaid button down on a cold New York City day like today, but I am not talking about anything clothing related. The Plaid I’m speaking of is the group of two master curators and creators of sound, the London based duo, Andy Turner and Ed Handley.
Apologies, but I must take a few minutes to gush about how phenomenal these two musicians are. A friend introduced me to Plaid about three years ago, and still, I find myself picking up on new details within the same tracks live listened to hundreds of times over. Plaid is not a group that can be labeled, nor can you fit them into a box. Their compositions are whimsical, spacious, and organic. All of these components (not simultaneously of course) are present in their unique sound: ambient, breakbeat, chiptune (video game music), disco, downtempo, drum and bass (on the lighter side), electronic art music, glitch, IDM, synthpop, melodic, atonal, all fused together with characteristics from every genre imaginable. The tranquil yet complex tunes that are birthed from these two have the ability to take your breath away.
The group is signed to the one and only Warp Records (thank you Steve Beckett and Rob Mitchell) that has signed A-List, head of their time talent such as Aphex Twin, Bibio, Grizzly Bear, Hudson Mohawke (who is also playing tonight at the Brooklyn Electronic Music Festival), Squarepusher, and !!!. Plaid released their first album in 1991 and their most recent album ‘scintilli’ a few months ago. Sharon O’Connell of Time Out London said the following of ‘scintilli’:
“The euphoric immediacy of the whole record belies its painstaking, dazzling multifaceted beauty and ‘Tetris’ like construction, which makes pick a highlight impossible.”
We will leave you with a few of our favorite tunes from Plaid. Hopefully you will purchase your ticket HERE for their show tonight at LPR, and we will see you there! Happy Friday.
Posted in Concerts, DJ, Editorial, Events, Live Music
Posted on 08 November 2011
Friday night, the moon was out, and frost bitten air ran amuck through the desolate streets of Chinatown while organized chaos took place in the basement of Santos Party House. Deathrow Tull was at it again. The band was able to fill the basement to capacity on the first ‘winter’ night of the 2011 season. The bodily warmth of the packed audience was a delightful contrast from the horrific street cold. It was apparent that everyone was ready to absorb and engage in an energetic live show. The lights turned red as the band and crowd unanimously chanted “Deathrow Tull Will Kick Your Ass!” The chant bled into the first song of the set, and the eve kicked off with a bang.
Deathrow Tull is truly a Brooklyn gem. We are currently living in an age where new music constantly bombards and overwhelms us with options galore. More often than not, the easiest decision is to abandon the new and stick to what is familiar. However, after months of persuasion to give Deathrow Tull a chance by various adored music palates, I caved and immediately cursed my own self-deprivation. This group is unlike anything I listened to in a long while. The instrumentation consists of two white-male rappers, a stunning singer who’s face resembles Brandy but voice is a mix of an urban princess and angelic Goddess, a guitarist, keyboardist, bassist, and drummer. Together, they create unique funk/ska/punk/hip-hop tone that somewhat mirrors Sublime.
My mouth was on the floor as the set progressed. Soulful tunes like “You ain’t got the fire like I do” were balanced with the playful yet harmonious “We are your energy, we are your Friday night”. A bit of Bob Marley crept out of the group as they soulfully danced through “When the Revolution come” and the crowd be nuts as Deathrow closed with the White Stripes, “Seven Nations Army”.
Mid-set the band started to chant, “Deathrow Tull Ain’t Nuthin’ To Fuck With!” From that statement alone, you might gather that Deathrow is some hardcore gangster group who likes to spit flow while pointing a middle finger towards the sky. And honestly, they can be that. But what is special about Deathrow is that they are more than that. This is a collective group of immensely talented musicians who melted the cold out of my Friday night. HiFi will keep you posted about their upcoming shows, and we highly suggest you go. Raw talent is not to be taken for granted, and it felt refreshing to get a healthy Friday night dose of it.
Click here for the full photo gallery.