Last Saturday, HARD Summer Tour hit New York City’s Terminal 5 as the second to last stop on their nationwide journey bringing dance music to the masses. Terminal 5, whose capacity is set at 3,000 heads, was completely sold out; packed wall to wall on every level with enthusiastic partygoers who were nearly bursting at the seams with energetic excitement. New Yorkers JDH & Dave P started off the night with an opening set of disco tinged house music, which provided the perfect appetizer for Destructo’s heavily electro influenced set, heating the dancefloor up in earnest. By the time Sinden took the stage, the crowd had been reduced to one heaving organism that was pressed up against the barrier as he spun a set of solid bass music, bring in elements of house, dubstep, and garage. Canadians Crystal Castles closed out the night with their explosive performance of experimental electronic music created through the use of a live band.
Thanks to our good friends over at URB Magazine, we were lucky enough to have the opportunity to sit down and chat with UK producer/DJ Sinden who has revitalized the club scene with his own brand of forward thinking remixes and productions, clever mash ups, and genre-melting DJ sets. Although Sinden’s sound is associated with different forms of house music, his original influences while growing up stemmed from hardcore hip-hop, the kind that you have to be over 16 to purchase (in the UK), and that your parents would confiscate and destroy if the records were ever found. He sights Public Enemy and N.W.A. as primary influences, which then lead him to branch into the discovery of electronic music through jungle and garage. Pulp Fiction’s “Alex Reece”, which he describes as soulful, sparse, quirky, minimal, and different, fundamentally changed his perception of electronic music and inspired him to truly embrace dance music.
His new label, Grizzly, is in many ways set to reflect Sinden’s own eclectic taste and his desire to keep things fresh and constantly pushing forward. Although house has always been the unifying focal point for the music Sinden has been involved in with regards to both his own production and DJ sets, Grizzly in many ways represents a move away from the traditional 4×4, and an attempt to create and experiment with new patterns and ways of looking at club music.The direction that the label will take is still very fluid, with Sinden’s own innate sense for sound acting as the primary compass – certainly nothing to complain about. Sinden’s own transition into UK Funky and more cutting edge sound has mostly stemmed from a boredom with the over-saturation of generic basslines, which stirred up a desire to move forward and keep things interesting, through tapping into unique micro scenes from all around the world, such as guarachero and old go-go rhythms. In this sense, he has never been much of a “genre” artist, preferring to dabble in many different areas and switch up his production, keeping us hanging on his every release.
Sinden will head back to the studio at the end of this year to work on some solo material, but there’s plenty from Grizzly to keep your dancing shoes moving until then. You can look forward to the release of a collaborative record between Felix Buxton of Basement Jaxx’s disco alias Jon Gionvanni and Sinden, as well as new material from Bassanova (Grahmzilla and Jess Jubilee’s project). You should also keep your ears peaked for Sinden’s remix of Lone’s “Once in a While”, which is sure to be a killer track, and as always, future releases from his role as one half of The Count & Sinden.
Check out the full photo gallery from this edition of HARD Summer HERE.
