
Initial impressions of Vampire Weekend’s sound would hardly place them in New York City, where the band originally formed. Lead singer Ezra Koenig and drummer Chris Tomson first joined forces on the comedy rap band L’Homme Run, before creating Vampire Weekend with Chris Baio and Rostam Batmanglij. The influence of African popular music – including Ladysmith, Black Mambazo, and Kanda Bongo Man – can certainly be heard in “Cape Cod Kwassa Kwassa” and “Diplomat’s Son”; Koenig has also collaborated with Malawian singer Esau Mwamwaya on the title track of The Very Best’s Warm Heart of Africa.
Contra, Vampire Weekend’s sophomore effort, is a contemplative album that derives from the fun and playful vibes of their 2008 mainstream hit, “A-Punk”. Throw in a bit of ska, baile funk, violins, marimbas, some simple electronic infusions and a smidgen of auto-tune, and the result is a jamboree that has become the signature touch of Vampire Weekend. While many critics have tried to compare their sound to a variety of artists and genres, what they have ultimately proven is that Vampire Weekend has established a unique sound of their own in a remix era where everything is pop.
If their eponymous debut album wasn’t enough evidence of Vampire Weekend’s longevity, then Contra solidifies them as a lasting part of the music scene. While Vampire Weekend established the band’s sound, Contra uses the play of melody and lyrics to showcase a depth in the ballads that makes the album a thoroughly enjoyable listen.
“California English” and “Run” show the brighter side of their youthful pleasantries in a story format that unravels with a somber tenderness of (happy) memories being recalled. While Contra has a preppy tone, its carefree nature is reminiscent of Simon and Garfunkel, especially in the track “White Sky.” On a broad scope, the album has a breakthrough feel like the duo’s contributions to The Graduate. In the embroilment of preppy innuendo, Contra reveals a gem of complications that is foreshadowed by the album’s cover, an image of a Polo-clad blonde with one of her collars standing up.
Overall, Contra is an album that is ‘hot under the collar’. While it may be Vampire Weekend’s sophomore album, its nature shows the band’s ability to follow through on an album concept that is consistent from start to finish, while unraveling refreshing tracks that reveal Vampire Weekend in a whole new light. The whimsical cover of the album couldn’t have made it any clearer as the story within – Contra is a serenade worth falling for.
In anticipation of today’s release, Vampire Weekend has already sold out three performances in New York City. They will appear at the United Palace Theater on January 17th, Webster Hall on January 18th, and the Bowery Ballroom on January 19th. Contra is in stores now, though a stream of the full album has been available on their MySpace page and official website for a few weeks.
Click through for the video for “Cousins” and the the album below.
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