Le Bain at The Standard will be hosting the official Soulwax afterparty this Wednesday night after their show at Webster Hall. Steve from Soulwax, as One Man Party, will be DJing along with Figo, DJ Musa, and The Dirty Grand. The party is free and will start at 10pm with DJs spinning until 4am.
There are still tickets available for their live show at Webster Hall with Tiga, Auto Body, and Alex English. You can get them here.
Festival season is officially upon us, and lot’s of events this year are looking to expand. This includes Made Event’s annual celebration of all things dance music, Electric Zoo, which has added a third day to their weekend extravaganza that will take Labor Day weekend, September 2-4, 2011. The line-up is as follows:
Friday, September 2
☛ Main Stage: Moby (DJ set), Benny Benassi, Rusko, Tiga, AN21 & Ma Vangeli
☛ Hilltop Arena: Richie Hawtin Presents Plastikman (Live), MSTRKRFT, Felguk, Gareth Emery, Markus Schultz, Robbie Rivera
☛ Carl Cox & Friends Take Over Sunday School: Carl Cox, Loco Dice, Joris Voorn & Nic Fanciulli (B2B), Victor Calderone
☛ Red Bull Music Academy Riverside: Crookers, Martin Solveig, Bart B More, Busy P, Feed Me, SebastiAn
Saturday, September 3
☛ Main Stage: David Guetta, Above & Beyond, Bloody Beetroots Death Crew 77, John Digweed, Sander Can Doorn, Sub Focus
☛ Hilltop Arena: Ferry Corsten, ATB, Andy Moor, Dirty South Joachim Garraud, Mat Zo, Sean Tyas & Simon Patterson (B2B), Sunnery James & Ryan Marciano
☛ Sunday School Grove: Luciano, Danny Tenaglia, Carl Craig, Chris Liebing, James Holden, Steve Bug
☛ Red Bull Music Academy Riverside: Skrillex, Super Smash Bros, 12th Planet, Beardyman, Kid Sister, Porter Robinson, Tommy Lee & DJ Aero
Sunday, September 4
☛ Main Stage: Armin Van Buuren, Afrojack, Chromeo, DJ Snoopadelic, Calvin Harris
☛ Hilltop Arena: Boys Noize, Diplo, Big Gigantic, Carte Blanche, Excision & Datsik, Fake Blood, Jack Beats, MiMOSA
☛ Sunday School Grove: Richie Hawtin, Dubfire, Gui Boratto, Guy Gerber, Ida Engberg, Nicolas Jaar (Live)
☛ Red Bull Music Academy Riverside: Infected Mushroom, Gabriel & Dresden, Arty, EDX, Hardwell, Kyau & Albert, Mark Knight
More artists TBA!
Payment Plans
Passes to the festival can be purchased HERE. This year, Electric Zoo is also offering a payment plan for those who would prefer to not pay the full sum all at once. This payment plan contains two options. The first payment option allows you to pay a 50% deposit of your order total upon purchase of the pass, plus service fees, with the remaining 50% automatically deducted from your card on August 1, 2011. The second option allows you to pay 30% of your order total plus service fees as your first payment, with the remaining total automatically deducted in equal payments on July 1st and August 1st 2011.
Dust Reduction
Electric Zoo will also be making efforts to reduce dust this year, as the dancing and frolicking of 25,000 pairs of feet coupled with the unusually dry summer took a toll last year, and by the end of the day, the grass had been trampled and a lot of dirt had been kicked up into the air.
Here’s a list of things they’ve put in place to reduce the dust:
They’ve also hired lawn specialists to consult with and work with Randall’s Island Park to improve on the maintenance of the field and to get it as healthy as possible before Electric Zoo.
Check out our coverage of last year’s Electric Zoo HERE, and stay tuned for more information and updates from us as the event draws closer!
Ever since electronic music first began to take hold of ears, hearts, and feet all over the United States, Europe, and beyond in the 1980’s, the practice of experiencing electronic music as a collective as often been viewed as akin to a religious experience. The club is a church, the DJ a priest, the dancing masses the worshippers, and the beat the sermon. It is therefore only appropriate that Made Event’s 36-hour event during Miami Music Week be entitled Sunday School; a place where children go to learn the ways of religion in an informal setting. And aren’t we all just that – children refusing to grow up, coming together to worship the gospel of house and techno in the safe haven of like-minded revelers.
Sunday School: The Lost Weekend took place at the Ice Palace in downtown Miami, otherwise known as the middle of what seemed to be abandoned warehouse buildings, deserted train tracks, and the occasional highly suspicious looking figure hustling the street corners. But no matter, for once inside the outside walls of the event space that consisted of an outdoor area and two stages, all memory of the outside world simply melted away. Seven or so hours disappeared in the blink of an eye on Friday night, as bodies, minds, and hearts all moved in sync to the rhythm of the thundering basslines emanating from the stacks of Funktion One’s guarding the corners of the rooms.
At Stage 1, D.I.M., Tiga and Spank Rock all gave exhilarating performances, catering to those more interested in the electro and house end of the spectrum. It was however Boys Noize that truly stole the show, mixing old favorites from his Oi Oi Oi and Power albums with some of the seriously wicked acid that he’s been displaying a preference for lately. Next door at The Lobby, those more inclined toward straight techno were spoiled by an incredible live set from Gaiser, who reacted perfectly and intuitively to every shift in the audience, which at this point in the night was little more than a heaving, grinning, beat driving organism. Friday night peaked at around 4:30am, when Richie Hawtin stepped in and pushed it just that extra inch, carrying every single person in the place with him to the absolute brink of the human-meets-techno experience. His set was hard and loud, but the crowd was more than prepared for it, meeting his every manipulation of sound with one of the body. And that was only the first night.
It quickly became apparent that Sunday was best taken on as a marathon, not a sprint, given that the majority of the attendees had barely slept, eaten, or sat down for that matter, in a good three or four days. It was therefore incredibly well played on the part of Made Event to have both Victor Calderone and Luciano playing extended sets during the wee hours of the morning, allowing merrymakers who had not been home for quite some time (and who had no intention of going there) to take breaks in the cool morning grass without missing anything heartbreakingly crucial. That is not to say that these artists were anything less than extraordinary, with Luciano in particular delivering one hell of a set, packing the dancefloor of Stage 1 as night slowly began to turn into day.
With the hot Miami sun rising higher and higher, the music began to diversify a bit, moving away from the steady pace of the night’s techno toward more melody driven artists, some of whom even incorporated live instruments and vocals. Benoit & Sergio, tINI, and No Regular Play all delivered the perfect blend of deep house on the outdoor Terrance, providing an ideal soundtrack for the adjustment to the rays of the sun after the cool, dark night. Inside, Nicolas Jaar performed with a full live band, which provided just the right brief respite from the consistent 4×4 beat that otherwise permeated the space. Although focusing primarily on album material, Jaar and his band still kept the sound fresh, experimenting with live manipulations and synching the electronics with the live drum patterns. For those still on the techno train, Steve Bug and Better Lost Than Stupid kept the energy going well into the day, with The Lobby area in particular never emptying, despite the levels of heat and physical exertion.
In retrospect, the entire experience seems a bit unreal, in the way that such incredible and special events centered around the experience of one moment in time always do. After a good night’s sleep, a full meal, and reversion to regular life these experiences can begin to seem very far away. However, until we can return to Sunday School and lose another weekend in Miami next year, we can study the teachings of our musical priests in our own private lives. I know I for one never cease to worship the temple of electronic beats, even for one single day.
I personally can’t imagine anything better than dancing under the hot Miami sun to beats from some of the greatest DJs and producers in the world. Add to this my never-ending desire to keep the party going, and I can’t imagine anything better than Made Event’s Sunday School. This 36 hour party at the Ice Palace will take place from this Friday March 25 through Sunday the 27. The line-up is beyond incredible, featuring some of the best house, techno, and electro artists of the moment from all over the world (see flyer below).
This is sure to be the party of the week, so don’t miss out on this incredible event. Tickets can be purchased HERE for either the entire 36 hours, the first 12 hours, or the last 24 hours, depending on your stamina. Check out shots from last year’s Sunday School HERE, and we’ll see you in Miami!
What better way to burn off thousands of excess Thanksgiving calories than to dance the night away? Last Saturday at Terminal 5, we did just that with Turkey Soup, the latest installment of the HARD series that featured Destructo, Yelawolf, Miike Snow, Flying Lotus, A-Trak and Tiga.
Destructo (aka Gary Richards, founder of HARD) started the show on a strong note, debuting Hard’s elaborate new set-up, complete with a raised DJ booth. Next up, Yelawolf took over the mic, demonstrating the chops and charisma that could catapult him to mainstream success.
When artists make the jump from band member to DJ, the results have varied considerably, ranging from amazing (Passion Pit’s Shuttle) to disastrous (I’m not naming any names). We weren’t quite sure what (or who) to expect from Miike Snow’s DJ set, but any skepticism immediately vanished once they took over the decks. Christian Karlsson and Pontus Winnberg delivered a killer set, and were appropriate representatives for the band – the duo has worked together under the pseudonym Bloodshy and Avant, writing and producing records for the likes of Madonna, Britney Spears, Kylie Minogue, and more.
Flying Lotus, brilliant as always, stepped up his game by supplementing his set with a bassist and drummer, making this his first New York City appearance with live instrumentalists. I’m not sure if this qualifies as his ∞ project (it wasn’t billed as such), since past ∞ appearances have included a fuller range of instruments (guitar, keys, harp, violin, saxophone, among others). Nevertheless, the band was a great addition that made his music more hard-hitting and added depth to his set.
Looking sharp in a grey tux and bow-tie, A-Trak played a set that drew heavily from his growing list of hits. The crowd was still going strong as Tiga closed out the night.
CLICK HERE to view more photos by Lauren Marsh, and HERE to check out videos from Poison Ivy.
Now that we’re over the CMJ and Halloween craziness of October, it’s time for us to take a look at what we have coming up this month. Click through to see some of our top picks…
The video for “I Am Europe”, the lead single from Chilly Gonzales’ highly-anticipated upcoming album, Ivory Tower, hit the interwebs yesterday, giving us an exciting glimpse of Gonzales’ collaboration with DJ/producer Boys Noize. The seemingly unlikely partnership has spawned a truly unique sound, blending Gonzales’ piano playing and trademark spoken word with a stripped-down version of Boys Noize’s electro beats.
Click through to watch the video, which not only has a fantastic concept, but also features a hilarious appearance by Tiga.
